Terraforming ("Earth-shaping") is the hypothetical process of planetary engineering which is deliberately modifying the atmosphere, temperature, topography or ecology to be similar to the environment of Earth to make it habitable by Earth-like life. The concept of terraforming has developed both from science fiction and actual science. One of the approaches to Terraforming is sawing a sterile planet with microbiological life, then followed by the importation of plant life, which would accelerate the production of oxygen, and culminate in the introduction of animal and human life.

Nowadays the Anthropocene geological epoch from the commencement of the significant human impact on Earth's geology and ecosystems is a fact more than ever. In the last half billion years of Earth's history five mass extinctions of species have occurred due to extreme changes in climate, global sea level and changes in ocean chemistry. Human impact on the environment has become much more apparent in the last 150 years. During this short period of time the population on Earth has quadrupled to almost 8 billion people. Today people are drastically changing the environment through urbanization, industrialization, mining, agriculture, dam construction and diversion, pollution and oxidation of oceans, unprecedented deforestation and animal species annihilation, widespread use of plastics, which form a huge part of the modern technofossils.

“TERRA-DEFORMING” is an imaginary term made up by the author used to define the hypothetical opposite process of Terraforming. The author juxtaposes terraforming and tera-deforming semantically and visually often reversing their directions to compare natural phenomena with those caused by man. Works are an illustration of the impact we as dominant species have on the planet. Nowadays humans have a remarkable influence on the natural landscapes - often reminiscent of prehistoric Earth or alien worlds.

The series was shot at places like dams, mines, agricultural fields, factories, where the environment was significantly changed by human activity. It also includes shots taken at nature and national parks which are vulnerable too due to the enormous pressure of tourist flow causing pollution and erosion and endangering habitats of extinction. 

"Terradeforming is happening today on our planet, caused by us humans. My goal is to provoke reflection and discussion about our development as a species and the future of the Earth " - says Emil Rashkovski.

Project started in 2017 and is ongoing.

Terraforming ("Earth-shaping") is the hypothetical process of planetary engineering which is deliberately modifying the atmosphere, temperature, topography or ecology to be similar to the environment of Earth to make it habitable by Earth-like life. The concept of terraforming has developed both from science fiction and actual science. One of the approaches to Terraforming is sawing a sterile planet with microbiological life, then followed by the importation of plant life, which would accelerate the production of oxygen, and culminate in the introduction of animal and human life.

Nowadays the Anthropocene geological epoch from the commencement of the significant human impact on Earth's geology and ecosystems is a fact more than ever. In the last half billion years of Earth's history five mass extinctions of species have occurred due to extreme changes in climate, global sea level and changes in ocean chemistry. Human impact on the environment has become much more apparent in the last 150 years. During this short period of time the population on Earth has quadrupled to almost 8 billion people. Today people are drastically changing the environment through urbanization, industrialization, mining, agriculture, dam construction and diversion, pollution and oxidation of oceans, unprecedented deforestation and animal species annihilation, widespread use of plastics, which form a huge part of the modern technofossils.

“TERRA-DEFORMING” is an imaginary term made up by the author used to define the hypothetical opposite process of Terraforming. The author juxtaposes terraforming and tera-deforming semantically and visually often reversing their directions to compare natural phenomena with those caused by man. Works are an illustration of the impact we as dominant species have on the planet. Nowadays humans have a remarkable influence on the natural landscapes - often reminiscent of prehistoric Earth or alien worlds.

The series was shot at places like dams, mines, agricultural fields, factories, where the environment was significantly changed by human activity. It also includes shots taken at nature and national parks which are vulnerable too due to the enormous pressure of tourist flow causing pollution and erosion and endangering habitats of extinction. 

"Terradeforming is happening today on our planet, caused by us humans. My goal is to provoke reflection and discussion about our development as a species and the future of the Earth " - says Emil Rashkovski.

Project started in 2017 and is ongoing.

Terraforming ("Earth-shaping") is the hypothetical process of planetary engineering which is deliberately modifying the atmosphere, temperature, topography or ecology to be similar to the environment of Earth to make it habitable by Earth-like life. The concept of terraforming has developed both from science fiction and actual science. One of the approaches to Terraforming is sawing a sterile planet with microbiological life, then followed by the importation of plant life, which would accelerate the production of oxygen, and culminate in the introduction of animal and human life.

Nowadays the Anthropocene geological epoch from the commencement of the significant human impact on Earth's geology and ecosystems is a fact more than ever. In the last half billion years of Earth's history five mass extinctions of species have occurred due to extreme changes in climate, global sea level and changes in ocean chemistry. Human impact on the environment has become much more apparent in the last 150 years. During this short period of time the population on Earth has quadrupled to almost 8 billion people. Today people are drastically changing the environment through urbanization, industrialization, mining, agriculture, dam construction and diversion, pollution and oxidation of oceans, unprecedented deforestation and animal species annihilation, widespread use of plastics, which form a huge part of the modern technofossils.

“TERRA-DEFORMING” is an imaginary term made up by the author used to define the hypothetical opposite process of Terraforming. The author juxtaposes terraforming and tera-deforming semantically and visually often reversing their directions to compare natural phenomena with those caused by man. Works are an illustration of the impact we as dominant species have on the planet. Nowadays humans have a remarkable influence on the natural landscapes - often reminiscent of prehistoric Earth or alien worlds.

The series was shot at places like dams, mines, agricultural fields, factories, where the environment was significantly changed by human activity. It also includes shots taken at nature and national parks which are vulnerable too due to the enormous pressure of tourist flow causing pollution and erosion and endangering habitats of extinction. 

"Terradeforming is happening today on our planet, caused by us humans. My goal is to provoke reflection and discussion about our development as a species and the future of the Earth " - says Emil Rashkovski.

Project started in 2017 and is ongoing.

Terraforming ("Earth-shaping") is the hypothetical process of planetary engineering which is deliberately modifying the atmosphere, temperature, topography or ecology to be similar to the environment of Earth to make it habitable by Earth-like life. The concept of terraforming has developed both from science fiction and actual science. One of the approaches to Terraforming is sawing a sterile planet with microbiological life, then followed by the importation of plant life, which would accelerate the production of oxygen, and culminate in the introduction of animal and human life.

Nowadays the Anthropocene geological epoch from the commencement of the significant human impact on Earth's geology and ecosystems is a fact more than ever. In the last half billion years of Earth's history five mass extinctions of species have occurred due to extreme changes in climate, global sea level and changes in ocean chemistry. Human impact on the environment has become much more apparent in the last 150 years. During this short period of time the population on Earth has quadrupled to almost 8 billion people. Today people are drastically changing the environment through urbanization, industrialization, mining, agriculture, dam construction and diversion, pollution and oxidation of oceans, unprecedented deforestation and animal species annihilation, widespread use of plastics, which form a huge part of the modern technofossils.

“TERRA-DEFORMING” is an imaginary term made up by the author used to define the hypothetical opposite process of Terraforming. The author juxtaposes terraforming and tera-deforming semantically and visually often reversing their directions to compare natural phenomena with those caused by man. Works are an illustration of the impact we as dominant species have on the planet. Nowadays humans have a remarkable influence on the natural landscapes - often reminiscent of prehistoric Earth or alien worlds.

The series was shot at places like dams, mines, agricultural fields, factories, where the environment was significantly changed by human activity. It also includes shots taken at nature and national parks which are vulnerable too due to the enormous pressure of tourist flow causing pollution and erosion and endangering habitats of extinction. 

"Terradeforming is happening today on our planet, caused by us humans. My goal is to provoke reflection and discussion about our development as a species and the future of the Earth " - says Emil Rashkovski.

Project started in 2017 and is ongoing.

Terraforming ("Earth-shaping") is the hypothetical process of planetary engineering which is deliberately modifying the atmosphere, temperature, topography or ecology to be similar to the environment of Earth to make it habitable by Earth-like life. The concept of terraforming has developed both from science fiction and actual science. One of the approaches to Terraforming is sawing a sterile planet with microbiological life, then followed by the importation of plant life, which would accelerate the production of oxygen, and culminate in the introduction of animal and human life.

Nowadays the Anthropocene geological epoch from the commencement of the significant human impact on Earth's geology and ecosystems is a fact more than ever. In the last half billion years of Earth's history five mass extinctions of species have occurred due to extreme changes in climate, global sea level and changes in ocean chemistry. Human impact on the environment has become much more apparent in the last 150 years. During this short period of time the population on Earth has quadrupled to almost 8 billion people. Today people are drastically changing the environment through urbanization, industrialization, mining, agriculture, dam construction and diversion, pollution and oxidation of oceans, unprecedented deforestation and animal species annihilation, widespread use of plastics, which form a huge part of the modern technofossils.

“TERRA-DEFORMING” is an imaginary term made up by the author used to define the hypothetical opposite process of Terraforming. The author juxtaposes terraforming and tera-deforming semantically and visually often reversing their directions to compare natural phenomena with those caused by man. Works are an illustration of the impact we as dominant species have on the planet. Nowadays humans have a remarkable influence on the natural landscapes - often reminiscent of prehistoric Earth or alien worlds.

The series was shot at places like dams, mines, agricultural fields, factories, where the environment was significantly changed by human activity. It also includes shots taken at nature and national parks which are vulnerable too due to the enormous pressure of tourist flow causing pollution and erosion and endangering habitats of extinction. 

"Terradeforming is happening today on our planet, caused by us humans. My goal is to provoke reflection and discussion about our development as a species and the future of the Earth " - says Emil Rashkovski.

Project started in 2017 and is ongoing.

Humanity has always dreamed of exploring the universe and traveling to the stars. From sailing to distant lands to someday setting foot on other planets, the thrill of exploration of the unknown is the same. But before getting into space we might look at our home first.

We don’t need to jump on a spaceship to witness alien worlds. Ordinary and well-known places may sometimes appear as if from another planet. The otherworldly atmosphere can be experienced by exploring the environment in unexpected ways. These unusual landscapes are just waiting to be discovered, with no need of spaceflight.

Project INTRATERRESTRIAL started in 2018 to examine the relation earthly – otherworldly. The equipment of the astronaut is made up of trivial things such as the inside of ski boots, a motorcycle helmet and vacuum cleaner tubes. This everyday space traveler is setting foot into a number of exotic landscapes that are more reminiscent of distant planets rather than of our native world.

collaboration project with Plamen Yankov

Humanity has always dreamed of exploring the universe and traveling to the stars. From sailing to distant lands to someday setting foot on other planets, the thrill of exploration of the unknown is the same. But before getting into space we might look at our home first.

We don’t need to jump on a spaceship to witness alien worlds. Ordinary and well-known places may sometimes appear as if from another planet. The otherworldly atmosphere can be experienced by exploring the environment in unexpected ways. These unusual landscapes are just waiting to be discovered, with no need of spaceflight.

Project INTRATERRESTRIAL started in 2018 to examine the relation earthly – otherworldly. The equipment of the astronaut is made up of trivial things such as the inside of ski boots, a motorcycle helmet and vacuum cleaner tubes. This everyday space traveler is setting foot into a number of exotic landscapes that are more reminiscent of distant planets rather than of our native world.

collaboration project with Plamen Yankov

Humanity has always dreamed of exploring the universe and traveling to the stars. From sailing to distant lands to someday setting foot on other planets, the thrill of exploration of the unknown is the same. But before getting into space we might look at our home first.

We don’t need to jump on a spaceship to witness alien worlds. Ordinary and well-known places may sometimes appear as if from another planet. The otherworldly atmosphere can be experienced by exploring the environment in unexpected ways. These unusual landscapes are just waiting to be discovered, with no need of spaceflight.

Project INTRATERRESTRIAL started in 2018 to examine the relation earthly – otherworldly. The equipment of the astronaut is made up of trivial things such as the inside of ski boots, a motorcycle helmet and vacuum cleaner tubes. This everyday space traveler is setting foot into a number of exotic landscapes that are more reminiscent of distant planets rather than of our native world.

collaboration project with Plamen Yankov

Humanity has always dreamed of exploring the universe and traveling to the stars. From sailing to distant lands to someday setting foot on other planets, the thrill of exploration of the unknown is the same. But before getting into space we might look at our home first.

We don’t need to jump on a spaceship to witness alien worlds. Ordinary and well-known places may sometimes appear as if from another planet. The otherworldly atmosphere can be experienced by exploring the environment in unexpected ways. These unusual landscapes are just waiting to be discovered, with no need of spaceflight.

Project INTRATERRESTRIAL started in 2018 to examine the relation earthly – otherworldly. The equipment of the astronaut is made up of trivial things such as the inside of ski boots, a motorcycle helmet and vacuum cleaner tubes. This everyday space traveler is setting foot into a number of exotic landscapes that are more reminiscent of distant planets rather than of our native world.

collaboration project with Plamen Yankov

Humanity has always dreamed of exploring the universe and traveling to the stars. From sailing to distant lands to someday setting foot on other planets, the thrill of exploration of the unknown is the same. But before getting into space we might look at our home first.

We don’t need to jump on a spaceship to witness alien worlds. Ordinary and well-known places may sometimes appear as if from another planet. The otherworldly atmosphere can be experienced by exploring the environment in unexpected ways. These unusual landscapes are just waiting to be discovered, with no need of spaceflight.

Project INTRATERRESTRIAL started in 2018 to examine the relation earthly – otherworldly. The equipment of the astronaut is made up of trivial things such as the inside of ski boots, a motorcycle helmet and vacuum cleaner tubes. This everyday space traveler is setting foot into a number of exotic landscapes that are more reminiscent of distant planets rather than of our native world.

collaboration project with Plamen Yankov

Humanity has always dreamed of exploring the universe and traveling to the stars. From sailing to distant lands to someday setting foot on other planets, the thrill of exploration of the unknown is the same. But before getting into space we might look at our home first.

We don’t need to jump on a spaceship to witness alien worlds. Ordinary and well-known places may sometimes appear as if from another planet. The otherworldly atmosphere can be experienced by exploring the environment in unexpected ways. These unusual landscapes are just waiting to be discovered, with no need of spaceflight.

Project INTRATERRESTRIAL started in 2018 to examine the relation earthly – otherworldly. The equipment of the astronaut is made up of trivial things such as the inside of ski boots, a motorcycle helmet and vacuum cleaner tubes. This everyday space traveler is setting foot into a number of exotic landscapes that are more reminiscent of distant planets rather than of our native world.

collaboration project with Plamen Yankov

Humanity has always dreamed of exploring the universe and traveling to the stars. From sailing to distant lands to someday setting foot on other planets, the thrill of exploration of the unknown is the same. But before getting into space we might look at our home first.

We don’t need to jump on a spaceship to witness alien worlds. Ordinary and well-known places may sometimes appear as if from another planet. The otherworldly atmosphere can be experienced by exploring the environment in unexpected ways. These unusual landscapes are just waiting to be discovered, with no need of spaceflight.

Project INTRATERRESTRIAL started in 2018 to examine the relation earthly – otherworldly. The equipment of the astronaut is made up of trivial things such as the inside of ski boots, a motorcycle helmet and vacuum cleaner tubes. This everyday space traveler is setting foot into a number of exotic landscapes that are more reminiscent of distant planets rather than of our native world.

collaboration project with Plamen Yankov

Humanity has always dreamed of exploring the universe and traveling to the stars. From sailing to distant lands to someday setting foot on other planets, the thrill of exploration of the unknown is the same. But before getting into space we might look at our home first.

We don’t need to jump on a spaceship to witness alien worlds. Ordinary and well-known places may sometimes appear as if from another planet. The otherworldly atmosphere can be experienced by exploring the environment in unexpected ways. These unusual landscapes are just waiting to be discovered, with no need of spaceflight.

Project INTRATERRESTRIAL started in 2018 to examine the relation earthly – otherworldly. The equipment of the astronaut is made up of trivial things such as the inside of ski boots, a motorcycle helmet and vacuum cleaner tubes. This everyday space traveler is setting foot into a number of exotic landscapes that are more reminiscent of distant planets rather than of our native world.

collaboration project with Plamen Yankov

Humanity has always dreamed of exploring the universe and traveling to the stars. From sailing to distant lands to someday setting foot on other planets, the thrill of exploration of the unknown is the same. But before getting into space we might look at our home first.

We don’t need to jump on a spaceship to witness alien worlds. Ordinary and well-known places may sometimes appear as if from another planet. The otherworldly atmosphere can be experienced by exploring the environment in unexpected ways. These unusual landscapes are just waiting to be discovered, with no need of spaceflight.

Project INTRATERRESTRIAL started in 2018 to examine the relation earthly – otherworldly. The equipment of the astronaut is made up of trivial things such as the inside of ski boots, a motorcycle helmet and vacuum cleaner tubes. This everyday space traveler is setting foot into a number of exotic landscapes that are more reminiscent of distant planets rather than of our native world.

collaboration project with Plamen Yankov

About 720,000 homes in Bulgaria were built using panel technology during socialism. Today, nearly 2 million Bulgarians live in panel blocks.

Panel block (informal “panelka”) is a residential building constructed of standard prefabricated concrete blocks (panels) produced in special industrial enterprises - house-building plants. By the end of the 80s of the 20th century, 30 house-building plants were operating on the territory of Bulgaria producing standardized elements for panel buildings. They were intended to solve the migration problem with the population who needed housings moving from the countryside to major cities. An interesting fact is that unlike other socialist countries Bulgarians were allowed to own their apartments.

After the fall of “socialism” and the beginning of the transition to the new social order people started their own businesses at the entrances of the blocks where there was little space. Very often the entrances originally designed to be accessible from both sides of the buildings were left to function only one-sided. The other sides were converted into beauty studios, service workshops, groceries, pet stores, pharmacies, etc. Often they were simply neglected or turned into storage places for all kinds of junk. Thus their purpose for quick access in case of evacuation was lost.

The entrance to the home (despite the collective ownership) is the door to our intimate world. What we have turned it into in the last decades is a mirror of the transition, a showcase of our culture of living. Showing belonging or expressing individuality, drastically utilized, or totally neglected, it is a mirror of ourselves.

About 720,000 homes in Bulgaria were built using panel technology during socialism. Today, nearly 2 million Bulgarians live in panel blocks.

Panel block (informal “panelka”) is a residential building constructed of standard prefabricated concrete blocks (panels) produced in special industrial enterprises - house-building plants. By the end of the 80s of the 20th century, 30 house-building plants were operating on the territory of Bulgaria producing standardized elements for panel buildings. They were intended to solve the migration problem with the population who needed housings moving from the countryside to major cities. An interesting fact is that unlike other socialist countries Bulgarians were allowed to own their apartments.

After the fall of “socialism” and the beginning of the transition to the new social order people started their own businesses at the entrances of the blocks where there was little space. Very often the entrances originally designed to be accessible from both sides of the buildings were left to function only one-sided. The other sides were converted into beauty studios, service workshops, groceries, pet stores, pharmacies, etc. Often they were simply neglected or turned into storage places for all kinds of junk. Thus their purpose for quick access in case of evacuation was lost.

The entrance to the home (despite the collective ownership) is the door to our intimate world. What we have turned it into in the last decades is a mirror of the transition, a showcase of our culture of living. Showing belonging or expressing individuality, drastically utilized, or totally neglected, it is a mirror of ourselves.

About 720,000 homes in Bulgaria were built using panel technology during socialism. Today, nearly 2 million Bulgarians live in panel blocks.

Panel block (informal “panelka”) is a residential building constructed of standard prefabricated concrete blocks (panels) produced in special industrial enterprises - house-building plants. By the end of the 80s of the 20th century, 30 house-building plants were operating on the territory of Bulgaria producing standardized elements for panel buildings. They were intended to solve the migration problem with the population who needed housings moving from the countryside to major cities. An interesting fact is that unlike other socialist countries Bulgarians were allowed to own their apartments.

After the fall of “socialism” and the beginning of the transition to the new social order people started their own businesses at the entrances of the blocks where there was little space. Very often the entrances originally designed to be accessible from both sides of the buildings were left to function only one-sided. The other sides were converted into beauty studios, service workshops, groceries, pet stores, pharmacies, etc. Often they were simply neglected or turned into storage places for all kinds of junk. Thus their purpose for quick access in case of evacuation was lost.

The entrance to the home (despite the collective ownership) is the door to our intimate world. What we have turned it into in the last decades is a mirror of the transition, a showcase of our culture of living. Showing belonging or expressing individuality, drastically utilized, or totally neglected, it is a mirror of ourselves.

About 720,000 homes in Bulgaria were built using panel technology during socialism. Today, nearly 2 million Bulgarians live in panel blocks.

Panel block (informal “panelka”) is a residential building constructed of standard prefabricated concrete blocks (panels) produced in special industrial enterprises - house-building plants. By the end of the 80s of the 20th century, 30 house-building plants were operating on the territory of Bulgaria producing standardized elements for panel buildings. They were intended to solve the migration problem with the population who needed housings moving from the countryside to major cities. An interesting fact is that unlike other socialist countries Bulgarians were allowed to own their apartments.

After the fall of “socialism” and the beginning of the transition to the new social order people started their own businesses at the entrances of the blocks where there was little space. Very often the entrances originally designed to be accessible from both sides of the buildings were left to function only one-sided. The other sides were converted into beauty studios, service workshops, groceries, pet stores, pharmacies, etc. Often they were simply neglected or turned into storage places for all kinds of junk. Thus their purpose for quick access in case of evacuation was lost.

The entrance to the home (despite the collective ownership) is the door to our intimate world. What we have turned it into in the last decades is a mirror of the transition, a showcase of our culture of living. Showing belonging or expressing individuality, drastically utilized, or totally neglected, it is a mirror of ourselves.

About 720,000 homes in Bulgaria were built using panel technology during socialism. Today, nearly 2 million Bulgarians live in panel blocks.

Panel block (informal “panelka”) is a residential building constructed of standard prefabricated concrete blocks (panels) produced in special industrial enterprises - house-building plants. By the end of the 80s of the 20th century, 30 house-building plants were operating on the territory of Bulgaria producing standardized elements for panel buildings. They were intended to solve the migration problem with the population who needed housings moving from the countryside to major cities. An interesting fact is that unlike other socialist countries Bulgarians were allowed to own their apartments.

After the fall of “socialism” and the beginning of the transition to the new social order people started their own businesses at the entrances of the blocks where there was little space. Very often the entrances originally designed to be accessible from both sides of the buildings were left to function only one-sided. The other sides were converted into beauty studios, service workshops, groceries, pet stores, pharmacies, etc. Often they were simply neglected or turned into storage places for all kinds of junk. Thus their purpose for quick access in case of evacuation was lost.

The entrance to the home (despite the collective ownership) is the door to our intimate world. What we have turned it into in the last decades is a mirror of the transition, a showcase of our culture of living. Showing belonging or expressing individuality, drastically utilized, or totally neglected, it is a mirror of ourselves.

About 720,000 homes in Bulgaria were built using panel technology during socialism. Today, nearly 2 million Bulgarians live in panel blocks.

Panel block (informal “panelka”) is a residential building constructed of standard prefabricated concrete blocks (panels) produced in special industrial enterprises - house-building plants. By the end of the 80s of the 20th century, 30 house-building plants were operating on the territory of Bulgaria producing standardized elements for panel buildings. They were intended to solve the migration problem with the population who needed housings moving from the countryside to major cities. An interesting fact is that unlike other socialist countries Bulgarians were allowed to own their apartments.

After the fall of “socialism” and the beginning of the transition to the new social order people started their own businesses at the entrances of the blocks where there was little space. Very often the entrances originally designed to be accessible from both sides of the buildings were left to function only one-sided. The other sides were converted into beauty studios, service workshops, groceries, pet stores, pharmacies, etc. Often they were simply neglected or turned into storage places for all kinds of junk. Thus their purpose for quick access in case of evacuation was lost.

The entrance to the home (despite the collective ownership) is the door to our intimate world. What we have turned it into in the last decades is a mirror of the transition, a showcase of our culture of living. Showing belonging or expressing individuality, drastically utilized, or totally neglected, it is a mirror of ourselves.

The Seven Rila Lakes are a group of glacial lakes in the Rila Mountains. The lakes are located between 2,100 and 2,500 meters above sea level. This series of images show "Bliznaka" lake (2,243 m), “Trilistnika” lake (2,216 m) and "Haramiata" peak (2,465 m).

The Seven Rila Lakes are a tourist attraction due to their natural environment and are the most visited group of lakes in Bulgaria in the summer when the temperatures are higher but my goal was to see what they look like in the winter when the water is frozen but not yet covered with snow. Lakes usually freeze in October and do not melt before June. The ice cover can reach up to 2 meters. The landscape impress with forms, shapes, lights and various shades of icy blue showing another side of this natural phenomenon.

The pictures in the series were taken during two consecutive winter seasons.

"Bliznaka" lake (2,243 m) and "Haramiata" peak (2,465 m) | 2016

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 53 x 42 cm | 60 x 48 cm

"Bliznaka" lake (2,243 m) and "Haramiata" peak (2,465 m) | 2016

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 51 x 34 cm | 60 x 40 cm

"Bliznaka" lake (2,243 m) and "Haramiata" peak (2,465 m) | 2016

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 51 x 34 cm | 60 x 40 cm

"Bliznaka" lake (2,243 m) and "Haramiata" peak (2,465 m) | 2016

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 43 x 43 cm | 50 x 50 cm

"Bliznaka" lake (2,243 m) and "Haramiata" peak (2,465 m) | 2016

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 51 x 34 cm | 60 x 40 cm

"Bliznaka" lake (2,243 m) and "Haramiata" peak (2,465 m) | 2016

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 51 x 34 cm | 60 x 40 cm

"Bliznaka" lake (2,243 m) and "Haramiata" peak (2,465 m) | 2016

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 51 x 34 cm | 60 x 40 cm

"Bliznaka" lake (2,243 m) and "Haramiata" peak (2,465 m) - triptych | 2016

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 116 x 78 cm | 125 x 83 cm

"Bliznaka" lake (2,243 m) and "Haramiata" peak (2,465 m) - diptych | 2017

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 85 x 56 cm | 95 x 63 cm

“Trilistnika” lake (2,216 m) and "Haramiata" peak (2,465 m) | 2017

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 48 x 48 cm | 60 x 60 cm

“Trilistnika” lake (2,216 m) and "Haramiata" peak (2,465 m) | 2017

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 51 x 34 cm | 60 x 40 cm

"Bliznaka" lake (2,243 m) and "Haramiata" peak (2,465 m) | 2017

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 51 x 34 cm | 60 x 40 cm

"Bliznaka" lake (2,243 m) and "Haramiata" peak (2,465 m) | 2017

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 51 x 34 cm | 60 x 40 cm

"Bliznaka" lake (2,243 m) and "Haramiata" peak (2,465 m) | 2017

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 51 x 34 cm | 60 x 40 cm

"Bliznaka" lake (2,243 m) and "Haramiata" peak (2,465 m) | 2017

Giclée Print on Fine Art paper | Signed, titled and numbered

Sizes: 51 x 34 cm | 60 x 40 cm